3 Views on TV vs RL

Bradford-MopI was going to title this post, The Bizarre World of Not London but I’m aware that most people don’t realise that I’m joking most of the time so I went with numbers and acronyms. I recently went on a rare trip out of London; firstly to see the Birth of Colour exhibition at the National Media Museum in Bradford. This was the National Museum of Photography, Film & Television (pic 1 – I don’t remember it ever being called just the National Museum of Photography so I guess this sign was just a contraction). The curation of the show was a bit “Blue Peter” in it’s tone but I suppose that’s partly due to the NMM being closer to the Science Museum than an art gallery and a lot of the exhibits seemed to take the dumbed down approach so I assume it’s the house style. In fairness, there is a lot of good supporting material on their web site for the show. Fortunately, they did have some actual autochrome transparencies on display. I wanted to get an idea of what 4 million potato starch grains per square inch could look like, because you can’t really tell from web photos (or the recent TV series). I think most of them were “quarter plate” size, so a bit bigger than 6x9cm format, and they looked great; the best of them similar to modern transparencies to my eyes (although they weren’t of consistent quality) but there were a couple of thin, vertical portraits which were much bigger and looked stunning.

Telebank-1Bradford seemed surprisingly rundown. I keep hearing about how much is happening in Leeds and Manchester but Bradford was dominated by boarded up shops and huge office to-let banners as if it hadn’t changed since the last recession. There were signs of tidying up in the centre but it’ll only end up looking like everywhere else so I rejoice in the mess (pic 2). We took advantage of the one of the nice cinemas at the NMM followed by curry at a very cheap restaurant, which in a neat coincidence, Sarah spotted in that day’s Guardian. The Kashmir. Because of the article, I half expected it to be full of Guardian readers but we seemed to be the only people who looked out of place.

The next day, on the way to the Yorkshire Sculpture Park, it seemed like Leeds, seen from the train, had lots of emerging glass and steel and a horizon of cranes. That completed the survey of Northern developments.

YspYorkshire Sculpture Park
If you visit the YSP web site you will see that the nearest railway station is Wakefield but there’s no mention of how you’re supposed to get from there to the park. We had half a plan to get a cab from the station but arriving at Wakefield decided to be more adventurous and find a bus. There were no signs at the station, no YSP leaflets amongst the many other attractions in the ‘things to do’ rack but a helpful man in the information office directed us to the bus station. Same thing at the bus station, no mention of the sculpture park. Another helpful man gave us the bus number and we started to feel like this wasn’t a well travelled route. The bus didn’t get us all the way there but the weather was ok so the 20 minute walk wasn’t a problem. By the time we arrived it was pretty clear that they expect everyone to get there by car. There’s no charge for entry, only for car parking. I felt a bit confused as I thought I might have been part of their target audience. (pic 3 – sculpture and tape)

Turrell-SkyThe main reason for this part of the trip was the Andy Goldsworthy show and seeing some of his work in the flesh made me realise that it’s about 4,000 times more interesting than looking at the usual presentation as photographs. The pictures on the web site don’t do it justice and the postcards in the shop are even worse but I’d say, If you’re anywhere near the YSP before January ’08 you should go. This was during the school holidays so the main building and restaurant were quite busy. However, most people didn’t venture far from the main galleries and even if they had I suspect, like me, they would have found the park map confusing and signage irritatingly minimal. This turned out to be a positive as it meant that the James Turrell Deer Shelter Skyspace (pic 4) was reasonably quiet. In this case, I was less wowed than expected after seeing similar rooms on TV (here, I think). I suspect you need to sit for hours in changing, end of the day, light to get the full effect. (More on skyspaces).

So that’s RL 2 – TV 1. Do click the pictures to enlarge. Update: I had a google search hit from someone looking for the bus from Wakefield to YSP, so it’s not just me and I’ve made this page to help.

Looking at a Thing in a Bag

Img 04085DWII – day five. So, what have we learned about Landscape this week? “It’s just a medium” [JA] or a vessel that we can pour whatever we want into. I’ve mostly been reminded that it’s just another unhelpful label although I have been enjoying making some bad landscape pictures. As labels go, I certainly prefer the term street photography but that’s because I have a very wide open view of what street photography is and can be, whereas some people think it died with HCB or Winogrand. A term with little or no baggage would be ideal but unlikely. Joining ‘urban’ to ‘landscape’ only makes it worse.

Twins II

White BoxOh look – at last!

Twins 2 is now online. Go here to see.

St. Paul’s Cathedral, corner of

Bald man near St. Paul's CathedralI’ve finally made some progress on the new book. Deciding on a change in the way it’s put together is making it look a lot more feasible. Keep nagging me.

Lartigue

Royal Festival HallThe Lartigue show at the Hayward is great. I really admire his playfulness and experimental spirit. The upstairs show, ‘About Face: Photography and the Death of the Portrait’, not only has a naff sub-title but also seems to get itself in a knot about the use of technology in photography, which they say is “challenging our perceptions of beauty and truth”.

At one point, the curators say we can no longer accept the idea of portraits being windows on the soul (who ever did?) and then alongside a series of red-eyed (from flash) teenagers, they claim the red eyes made them look like predators (or words to that effect). As if non-predatory people won’t have red eyes. They go on to say that the red-eye effect is a “technical glitch normally removed in printing”. Hilarious.

There are some interesting things in it but I recommend ignoring the interpretation boards. This is another of my “diCorcia without flashlight” pictures.

Photography and Death

Terrible Photo Blog PictureI didn’t take that picture!! Have I got your attention? Wondering why I’ve posted that terrible flower picture in my blog? Well, I’m thinking about starting up an online photography magazine. You may think that’s the last thing the world needs but I’m fed up of looking at the dross but more than that, I’m fed up of looking at pictures of flowers* in photo blogs. Bad excuse? Well, to tell the truth, I bought a new camera and this was the easiest thing to try it out on (now you understand why there’s so much of it in the blogging world).

However, If I get enough good suggestions for the photo-mag I might actually do something about it.

*OK, I know it’s possible to make good pictures of flowers, it’s just that I never see them.

Crisps

Walker's CrispsWatching the New Shock of the New on Saturday, I was surprised and disappointed that Mr Hughes highlighted a spelling mistake in a Tracey Emin piece. Finishing on an extra ‘L’ in beautiful seemed more stupid than the spelling mistake to me and undercut his argument somewhat. Still, I’m looking forward to the re-run of the original series, which I haven’t seen since it was first shown.

In trying to work out the date of the first transmission, I came across this tragic tale. I’d assumed the stick was just old age.

This woman is eating Walker’s Crisps. Which reminds me to recommend this unusual book on London Walking.

It’s the Colour Man!

bmw hub capThis conversation with Kevin Bjorke reminded me about two great books that I haven’t looked at in a long time. Drawing on the Right Side of the Brain will get you over the blocks that most people have about their ability to produce a likeness when drawing. Understanding Comics is a great read on art, graphics and the psychology of sequential art even if you’re not interested in comics.